I shouldn’t be here. I’m working like mad on the wip, which according to my contract is “Spring Wedding” – not so much a title as what the book is about – and doing my best to keep up a brisk pace (well, brisk for me, anyway.) But Ben is too busy giving Ellie first aid to drop in – and Ellie is too busy trying not to scream – so it’s probably a good thing is I distract you for the next few minutes.
Actually the reason I’m online is that I’m looking for a pair of silk, embroidered purple shoes that exactly fit my imagination.
Why do I need to actually see a pair of shoes when I can imagine them perfectly well? It’s all to do with the “box”.

And then yesterday there was the box.
According to Anne, Miss Tharp says that one of the things you need if you’re going to think “out of the box” is a box to think out of. (How brilliant is that? So logical. I can’t wait for my copy of this book to turn up…) Obviously, though, it’s not going to be an empty box. For Miss Tharp it’s a box in which she collects things on a theme, which then inspires her choreography. I suppose it’s a bit like the collages that I know lots of authors do. I did try it, but it looked untidy, which just irritated me. I’ve never been good with glue.
But a box... I get boxes. I love boxes.

So that’s why I’m hunting for an illustration of the perfect purple shoes to put into the box, because that’s where it all suddenly took off. With the shoes. I had a story before then. I’d written fifty odd pages, but when, lying awake in the middle of the night I started seeing purple shoes... (No! Not a drop had touched my lips! Honestly!)
I’m also hunting for a picture of Susan Hampshire as Fleur Forsyte on her wedding day. I can see her, sort of, but it was an awfully long time ago and a picture would help. Unfortunately the web sites seem more interested in her more recent role in Monarch of the Glen.

5 comments:
Liz, you will LOVE the book. There is something brilliant on every page. And I don't know about you, but I am so NOT a writer of movement and gesture that I'm learning tons from a woman who makes her living from choreography.
The spine idea is excellent, too, and works right in with her dance background and yet provides a metaphor for what a book needs to keep on track -- a spine that can bend but still lend direction to the work.
I'm glad you like the "box" idea. I do, too. And I love having boxes around. (My husband would say, "Too much!")
Oh, oh, oh, please let it arrive today!
I'm not too hot on gesture, myself.
I tend to write dialogue, then go back and break it up with movement, gesture -- stuff that call "choreography", but I have limited vocabulary, so now I CAN'T WAIT for the book to arrive. And if it doesn't come today, it'll Tuesday because we have a public holiday on Monday.
But today is shopping day. And I get to buy a box :)
I do hope the book arrives. Do tell me about the box you get. I'm having 'box envy' just thinking about it!
I'll be really interested to know what you think of the book. I'm almost finished reading it -- the library's copy. My own is scheduled to arrive on Monday, and I can start to make notes in it (Tharp encourages that -- and I can certainly see it happening)
Oooh! I'm really excited about this discussion. I love Twyla Tharp's choreography. How can you not love a woman who titles a dance "Eight Jelly Rolls"? Despite the fact my TBR pile is teetering near the ceiling, I might just have to take a trip to Amazon as well.
As soon as i can figure out what i did with my camera recharger -- I put it away tidily, which is always a mistake -- I'll take a picture of the box.
Eight jelly rolls, Fiona? Now that That is something I'd love to see :)
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