Showing posts with label Best Harlequin Romance. Show all posts
Showing posts with label Best Harlequin Romance. Show all posts

Monday, February 10, 2014

Manga Makeover

I'm a bit excited that my Rita winning Harlequin Romance, The Marriage Miracle, has been issued as a manga ebook translated from the Japanese into English.

I love the way they still read from back to front.

This was one of those magic books that grew out of an earlier romance. From the moment Matty Lang, opened her mouth in A Wife on Paper she was giving me trouble.

 She flirted with the hero, she duffed up the bad guys, she demanded attention. The only way I could get her to behave, stay in the background, was to promise her a story of her own and after that she did exactly what was required of her, providing a solid prop for my heroine’s motivation, and no more.

"Okay," she said, when I’d finished her cousin’s story. "Let’s start." But there was problem.  Matty is in a wheelchair and since I don’t write fairy stories, there would be no magic wand to make that problem go away.

Where would I find a hero worthy of her, a man with heart enough to see beyond her disability to the woman? Where would I find the words to draw in the reader, encourage her to risk the journey, take a leap of faith?

Worse, it was going to be seriously Hard Work. It would involve research (which is not my favourite thing) and an intensity of emotional input that I knew would drain me dry.

Matty, however, was not the kind of character to let some whining author stand in her way and finally I tentatively broached the idea with my editor. I’ll be honest, here; I was hoping that she would veto it, say, "This is not for us…" Rescue me so that I could go back to Matty with a clear conscience, say, "I’d do it in a heartbeat, honestly. It’s her fault…" No such luck. I got the go ahead, but I was still holding back.

I wrote A Family of His Own. It won the Romantic Novelists’ Association Romance Prize, was named Best Harlequin Romance of the year by Romantic Times and nominated for a RITA.
Matty applauded politely, then said, ‘Right, I’ve been patient, now it’s my turn.’

I wrote Her Wish-List Bridegroom; single fathers, single mothers, cheating boyfriends, a cat called Archie. Lots of emotion in this one. For Juliet. Matty hated Juliet. ‘The woman’s a wimp,’ she said. ‘She didn’t have a father and her boyfriend stole her job. Big deal. It’s My Turn!

I wrote A Nanny for Keeps. Emotion, humour, a six-year-old diva, chickens… Matty threw a pot of her favourite purple nail polish at the back of my head and said, ‘Enough with the livestock. IT’S MY TURN!’

I said, "Give me a break. I’ll get to you once I done the "feud" story…’ But she was right. It was her turn. Having a great character raring to go, however, is not enough. And that’s where the magic started. With the fairies. Day-glo bright, the Forest Fairies flew down onto the page and set about ruining Sebastian Wolseley’s day, year, life…

I wrote a whole chapter about Sebastian and the fairies (still prevaricating) before I stopped fooling around and started again with the belated blessing of the marriage of the hero and heroine of A Wife on Paper. The guests have moved into the marquee to start the dancing, only Matty and Sebastian remain outside in the garden, detached, apart from the crowd, alone. Matty, because, well obviously dancing doesn’t hold much appeal for her. Sebastian because weddings come next to bottom on his list of fun events (and he’s already been to a funeral that day.)

Matty interrupts his depressed contemplation of the contents of his champagne glass with, ‘You look as if you could do with something stronger.’

Sebastian, having a seriously bad day, is in no mood for a flirtation and somewhat sourly replies: ‘Do you tap dance for an encore?’

She lifted her eyebrows, but she didn’t smile. ‘Tap dance?’

‘You’re not the cabaret? A mind reading act, perhaps?’ He heard the biting sarcasm coming from his mouth and wished he’d walked. He had no business inflicting his black mood on innocent bystanders. Or sitters.

‘It doesn’t take a mind-reader to see that you’re not exactly focussed on this whole ‘til-death-us-do-part’ thing,’ she countered, still not smiling, but not storming off, offended, either. ‘You’ve been holding your glass for so long that the contents must be warm. In fact I’d go as far as to suggest that you’d look more at home at a wake than at a reception to celebrate the blessing of a marriage.’

‘Definitely a mind-reader,’ he said, finally abandoning the barely touched glass on her table. ‘Although I have a feeling that the wake I’ve just left will by now be making this party look sedate.’

That’s so bad! Having been drawn into conversation, he tries to escape by embarrassing her. Haven’t you been paying attention, Sebastian Wolseley? This is Matty Lang and you are so stuffed!

The Marriage Miracle is available in a Manga edition at all digital retailers or on Amazon
Or, if you prefer your books straight, it's here

Saturday, September 21, 2013

Backlist bonanza

One of the great things about the ebook revolution is that titles long out of print become available for a whole new group of readers who might only recently have discovered you. 

I was one of a group of authors whose work was released in the first wave of digital backlist for Harlequin - they put out a couple of dozen in 2010 - and I'm going to be featuring some of them over the next few weeks, starting with two that won awards.

First up is the book that won my second RITA,


The Marriage Miracle from Harlequin 

Winner - RITA 2006 Best Short Contemporary Romance Romance Writers of America
Winner - Best Harlequin Romance 2006 Romantic Times BOOKclub

Winner of Cata-romance Reviewers' Choice Award

Here's a brief clip -


And with that, he leaned down, slid his hands under her arms, then, when startled, she just sat there looking up at him, he said, ‘This would be much so easier if you would put your arms around my neck.’

‘What... I don’t need you –’

‘Trust me, Matty,’ he said, but perhaps deciding that was one appeal too far, he didn’t hang around for an argument. ‘I know what I’m doing.’ And he lifted her clear of the chair.

Her arms — not taking one bit of notice of her “whats” and “don’ts” — took the sensible course and flung themselves around his neck and before she knew it, she was vertical, upright, Sebastian’s arms holding her safe against his chest. And for a heartbeat, she was any girl in any man’s arms.

Then reality intruded. ‘This isn’t...’ she began. ‘You can’t... I shouldn’t...’

The words to tell him what it was, exactly, that he couldn’t, she shouldn’t do, failed her and, very softly, he said, ‘We can do anything we want, Matty.’ Then, ‘It’s not so bad, is it?’

Bad?

His breath was warm on her cheek, his face just inches from her own.

Oh, this was bad. About as bad as it could be.

His hand at her waist was pressing her close to him so that there was nothing but thin silk and soft cotton between her skin and his. Her imagination instantly filled the gap, her breasts engorging, her nipples tightening as feminine instincts as old as time urged her to go for broke and kiss him, caress him, draw him to her and never let him go.

So much for all her good intentions.


The second book I'm featuring, is A Family of His Own again from Harlequin
This was also nominated for a RITA, but here's the list of the prizes it did take.

Winner of the RNA Romance Prize 2005 
Romantic Novelists' Association, UK
Winner of the Best Harlequin Romance 2004 
Romantic Times BOOKclub
Shortlisted for RITA 2005 Best Short Contemporary Romance
Romance Writers of America

Winner Cata-romance Reviewers' Choice Award



Here's a brief clip -

This time the silence seemed endless and she had no words to fill it. Dominic Ravenscar did it for her. ‘What happened to Polly’s father?’

The abrupt change of subject threw her and she responded to this unexpected jab at a raw nerve in much the same way as he had. Instinctively. Defensively.

‘Polly never had a father.’

Her only excuse was that it had been a long time since anyone had asked her that question. Maybe, like him, she had erected some kind of warning signal over her own emotional no-go area. Or perhaps she’d blotted it out so thoroughly that she’d stopped noticing the way people tiptoed around the subject.  Whatever it was, she just wasn’t prepared.

Ashamed of her instinctive reaction, her need to protect her own feelings, she tried again. ‘I … That is, he…’

It wasn’t usually this much of a problem. But then her standard answer – “He was young – he needed to find himself. He’s still looking …” -- was calculated to make people laugh, give her an opportunity to change the subject. What was that she’d said about there being more than one way to run? 

Links to both of them at the Harlequin site are in the intros, but they are both available to download from Barnes & Noble, iTunes and of course, Amazon

I've added the direct Amazon links, because my own attempt to find them on the site was a #fail