Showing posts with label tropes. Show all posts
Showing posts with label tropes. Show all posts

Thursday, April 06, 2017

Writing Romance: 5 Tropes That Readers Love

I'm starting an irregular column on writing romance. It helps if you know what the reader most enjoys. Obviously there's room for the new but if you're approaching an established publisher it's always a good idea to begin with something they know will sell so I'm beginning with a rundwon of  popular tropes.




The Marriage of Convenience

Yes, even in this day and age when single mothers are no longer stoned in the street, it’s still possible to write this fan favourite trope.

Money is a good reason. Tricky Wills give you a lot of scope.  Okay, you can challenge them, but in the mean time you might be left homeless. Or you might discover that the inheritance you thought was safely in the bag is mortgaged up the hilt. The unexpected pregnancy after a night with someone you’ve only just met – or have known forever but as a friend, is still a useful one. Social pressures are still there, or guilt, or maybe the guy plans to do his duty, just being there, providing support and ends up falling in love. Of course you have to come up with a good reason why they ended up in bed together. That’s the fun bit!

The Sheikh Romance


Ever since E M Hull wrote the iconic “The Sheikh” they have sold like hotcakes. The first thing to realise about a sheikh romance, is that it is a total fantasy and has nothing to do with reality. The sheikh has everything. He is in total command of his environment, has unimaginable power and wealth. He also has the kind of respect for family, a sense of honour, that can leave him in some really tricky situations. Lots of scope for marriage of convenience here; if the woman is in danger, if he has some heartfelt reason for not marrying the woman his family has chosen for him. If you struggle seeing him as a hero, a former publishing director of Mills and Boon once described him to me as “a cowboy wearing a different hat”.  Same thousand yard gaze. Same deep seated honour.

 


Nine to Five

The workplace romance should be tricky in this PC/Human Resources dominated age but it’s is still a much-loved trope. Unlike the sheikh romance, this is something much closer to home, familiar. Most of us will have worked somewhere – office, store, factory – at some point in our lives.  These days, of course, it doesn’t have to be the powerful boss and the woman he doesn’t notice until some crisis occurs and he needs her to play his fiancĂ©e. There’s plenty of room to play out a scenario between equals, a boardroom battle that only one of them can win. So much more interesting.

Christmas 

 Oh now, this is always fun. You not only have two people trying very hard not to fall into bed with each other but you have it with baubles, fairy lights, Santa Claus and snow. You can dress your characters in embarrassingly silly costumes, dump two feet of snow on them and cut off the electricity, strand the Grinch and the Sugar Plum Fairy in a place from which there is no escape (it doesn’t have to be snow!) Mayhem or magic, they go down a treat.



The Mediterranean hero

Passionate, sexy, with his dark good-looks, the Mediterranean billionaire — Greek, Italian, Spanish or Italian — is the staple hero of romance.

He is very nearly as much a fantasy as the sheikh. You can throw in a palazzo overlooking the sea, helicopters, yachts, private jets, private islands and sex. Lots of sex.

That's it for now. I should probably have added babies to the list. There is nothing like a cute baby on the cover to set the cash tills ringing, but they have to be tiny (no toddlers or teenagers - they distract from the hero and heroine's story).

Look at the books being published, what tropes call you? Writing what you enjoy is always the best way to start.

Next time I'll talk about the "crucible".

Happy writing.

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Liz Fielding's Little Book of Writing Romance is available to download from iTunes, Amazon, Barnes and Noble, Kobo and Smashwords.




Tuesday, April 02, 2013

Plagiarism, copyright, tropes

I had planned to write a blog on the subject of copyright theft - which as some of you will know is something that I've experienced in the past. I'm not going into the details - they're here if you want to read about it.

On this occasion, it's the other way around. Kate Walker, who has been writing best-selling romances for more than twenty years, was accused of stealing the work of a woman who had been submitting the same first chapter and synopsis to endless competitions for several years. There are a whole raft of reasons why this was nonsense. Kate had never seen the work and her editor is in the Mills and Boon office at Richmond, not Harlequin in Toronto. The judge, having read both The Proud Wife and the other work dismissed the case with prejudice.

A happy result? A relief certainly, but a dear friend had suffered a a year of stress and misery and has left the deluded complainant considerably poorer (that "with prejudice" meant that she had to pay everyone's expenses, which were considerable.) What made her believe she had a case? Drove her to court? She's not the first failed author to take this course, or the last. The latest victim to be accused in this way is Stephanie Meyers. The problem appears to lie in the misunderstanding of the use of tropes in genre fiction.

Fellow author, Michelle Styles, explains it all with with breathtaking clarity on her post "A Troupe of Tropes" at the Pink Heart Society -

"As some of you may know, an unpublished author recently brought a case against PHS columnist Kate Walker and Harlequin claiming that they had used her contest entry to craft The Proud Wife. The unpublished author had submitted her 20 pages and synopsis into many RWA sponsored contests and cited one where  she thought Kate Walker had been one of the judges. In fact Kate Walker had never heard of the contest and had never judged it. The unpublished author felt so strongly that the works were similar, citing 40 different points of commonality that she took the case to court.   What followed was many months of agony for Kate Walker who knew she was innocent.  Harlequin’s legal team asked her not to speak about the case to anyone.  Earlier this month the federal judge dismissed the plaintiff’s  claim with prejudice..."  read on - A Troupe of Tropes , read the judgement for yourself. And then read the book. It's terrific!



Here's the blurb -

Her husband wants her back!
Marina thought her dreams had come true when her husband placed a wedding band on her finger. But their marriage was not the fairytale she'd hoped for, and eventually Marina walked away, her heart broken.
But two years on Pietro DInzeo no longer haunts Marina's dreams. She knows the time has come to move on, and even a summons to join him in Sicily won't deter her However, with his wife standing before him, about to sign on the dotted line of their divorce papers, Pietro wonders why he ever let her go?

To read on click here for Amazon US
or here for Amazon UK